Episode Thirty Five. Episode Thirty Two.
CW Journal Issue 51
Knight brings us the entity known as Ramtha. Episode Thirty Three. Episode Thirty. Pat Rodegast is the instrument through which comes the beautiful words of Emmanuel. Episode Thirty One. Jach Purse l has channeled Lazaris since Carla Ruecker t channels Q'uo, a combination of fourth, fifth and sixth density memory complexes known as Hatonn, Latwii, and Ra.
Episode Twenty Six.
Into The Mystic: An Interview with Barbara Brodsky
Tom and Linda Carpenter. Tom recieves these messages from an entity that he chose to call "Brother", an energy that is known quite well to all of us as Jesus. Tony Stubbs is the instrument through which comes the entity "Serapis", with the message of "An Ascension Handbook". Epidode Twenty Four. Meredith Lady Young channels "Mentor" through the process of automatic writing.
Episode Twenty Five is "Earth School". Jane Roberts is the channel for the being callling itself Seth. Episode Twenty From the book "Seth Speaks".
- Water Treatment Unit Processes: Physical and Chemical (Civil and Environmental Engineering).
- Barbara Brodsky!
- Roxys Road Trip!
- 15 Matches for Barbara Brodsky.
- What is Kobo Super Points??
- Related Documentaries;
- The Business End Of Process Service;
Episode Eighteen. Darryl Anka is the channel for Bashar. Episode Nineteen. Jani King is the channel for the entity known as P'taah from the Pleiades. Episode Fifteen. Episode Seventeen. So far, I have been unable to find any information on Azena Ramanda. No site, no pics, no active e-mail for the publisher. Germain is pictured. Rasha "receiveved and transcribed" the material coming from the universal presence "Oneness". Episode Fourteen. Mary-Margeret Moore is the instrument for the information coming through, she has named the source Bartholomew.
Episode Eleven. Fractal images by Will Rood.
Accountant of Auschwitz
The videos are on the video page. Pictured is Professor Benoit Mandlebrot. Norma J. Milanovich channels our ET brothers and sisters from Arcturus. The book is "We, The Arcturians". Cassaro argues persuasively that the Old World symbol known as Master of Animals, is the very same symbol that scholars of New World cultures call the Staff God.
He explains that this symbol is the central icon of an ancient wisdom tradition shared by the pyramid cultures across the world. Encoded in this image, which Cassaro calls the "GodSelf Icon," is a complete metaphysical doctrine that encodes a complex set of instructions for inner awakening. With more than stunning illustrations of the GodSelf Icon, Cassaro demonstrates how this wisdom has been encoded on Gothic Cathedrals by medieval Freemasons, and preserved in hermetic and alchemical symbols like the Rebis.
By contrasting ancient GodSelf Icons with these modern GodSelf Icon equivalents, Cassaro decodes the rich symbolism surrounding these images, showing step-by-step how this primeval religion is based on the concept of duality and the transcendence of duality. Cassaro makes a compelling case that these were the central concepts of every ancient and indigenous religion on the planet. The Secret Teachings of All Ages: An Encyclopedic Outline of Masonic, Hermetic, Qabbalistic and Rosicrucian Symbolical Philosophy This key to the world's esoteric traditions unlocks some of the most fascinating and closely held secrets of myth, religion, and philosophy.
Unrivaled in its beauty and completeness, it distills ancient and modern teachings of nearly experts. Compelling themes range from the riddle of the Sphinx and the tenets of Pythagorean astronomy to the symbolism of the pentagram, the significance of the Ark of the Covenant, and the design of the American flag.
Acclaimed by Publishers Weekly as "a classic reference, dizzying in its breadth," this remarkable resource was compiled by the founder of the Philosophical Research Society. Author Manly P. Hall examines the secrets of Isis along with arcane aspects of mystic Christianity and other religions. Fascinating surveys cover topics as diverse as Kabbalah, alchemy, cryptology, and Tarot, along with Masonry, gemology, and the identity of William Shakespeare.
A Video Introduction to Barbara Brodsky & Aaron | Awake 2 Oneness Radio
Just as a painting isn't only paint - it's an image or a dream. The New Formalists want to have a movement in the bowels of the beaneries. These things come BEFORE the grain of meter or rhyme-patterning so boring today from every vantage point, avant-garde or traditionalist, metered or "free". And the fact is. Orthodox or heretical, it's all voodoo. Kent Johnson: Which seems to make it a kind of poetic ecumenism you're proposing, this "voodoo of sound, orthodox or heretical" - that there is something pre-material, pre-language running beneath all the sects and denominations of philosophy and prosody.
Not form or theory as the defining issue, but something else.
https://pittrirocchehos.cf Actually, Pessoa would be an interesting example, wouldn't he: The orthodox Reis, the heretical de Campos, their master, the "formless" Caeiro, each a singular speaking, as you say, arising in ways ultimately mysterious to the poet and "his" readers. Do you think? Mention in your answer, please, those Russian dolls inside dolls that are inside dolls.
Henry Gould: This mysterious pre-verbal impulse doesn't cancel philosophy or prosody by any means: I think of it more as innate, primordial rhythm. It is what sings in the prosody or finds the right balance of philosophical conundrums. And Pessoa is a good example of what I was trying to get at regarding the "frame". I'd tend to call it an "incarnational" concept of poetic expression. One bird calls to another bird, Only water sometimes talks in voices Of people at swimming pools in the summer. Language school. Here language learns how To get used to foreign lips, to a dark palate, To a laughing mouth and a crying mouth.
Languages learn and will never end, Like yearnings. This life gets ever harder, But the response to it grows ever softer, Like a ball coming back from the wall Where it was hurled in rage And its bounces are appeased and soft Until it rests and is mute. And one woman said to a crying child, "Don't cry, a nice boy doesn't cry.
This seems to me, in good part, about those mysteries of poetry's provenance. Could you comment on the third stanza and tell us if the poet is the one who throws the ball or if she or he is the ball that is thrown? In answering, please speak about translation, mention Walter Benjamin, and quote something from Mandelstam. Henry Gould: Ah, yes, that is such a beautiful poem, I don't even know why. Walter Benjamin - I'm sure Walter Benjamin would understand.
I heard an interview with James Kugel, a Harvard prof who just published a book called "Great Poems of the Bible" - focuses on the specific problem of poetry-in-translation. He happened to quote some beautiful lines from Jeremiah, about when the "almond flowers out of season".